A twosome who likes to play the blues and show how much fun white soul power can be? No this isn't the long awaited return of The White Stripes, it's Brothers, the latest offering from Ohio duo The Black Keys.
One of the most consistent bands over the last decade, The Keys have put out six records in only eight years time with each album just as groovy and soulful as the last. 2008's Attack & Release was the band's most polished and, thanks to producer Danger Mouse, most hypnotically catchy.
Brothers is a subtle affair filled with songs of scorn and forlorn aplenty. Vocalist Dan Auerbach's sombre serenades sound like a poor man's Greg Allman while his guitar gently weeps.
Recorded in Muscle Shoals Sound Studio in Alabama, made famous by Lyrnard Skynard and The Rolling Stones, The Black Keys sound as inspired as ever, yet at times a tad too much for their own good. Brothers runs an hour long and features a slow-march toss offs about the same evil minded woman and features the same bluesy guitar lick.
Auerbach's new trick is to sing in a pained falsetto. But it doesn't sound authentic. Instead it only makes songs like "Everlasting Light" come off as nothing more than My Morning Jacket b-side material. "Mudd" is a pointless instrumental and too much of the opening third of the album is a snoozefest.
Yet when this tag team get it right, they still prove a good groove is what they do best. "Tighten Up" is the only real upbeat tune offered. The lone track produced by Danger Mouse, show just how inspired the trio can be. However the rest of Brothers was produced by The Keys themselves and sounds like a band biting off more than they can chew.
I have a better idea for their album cover. It should read "This is an album by The Black Keys. The name of this album is Tiresome Growing Pains."
Grade: C
Stream The Whole Album Here.
Key Tracks: "Tighten Up" "The Only One" "Never Give You Up"
Friday, May 14, 2010
Thursday, May 13, 2010
Big Boi Charms Martha Stewart
Big Boi made an apperance on The Martha Stewart Show in support of his first solo album Sir Liscous Left Foot: Son Of Chico Dusty in stores later this summer.
Big Boi discussed his roots, his nickname and even christened Miss Stewart, who has been to jail herself, as Lady Martha Macaroni "because you got that cheese".
Watch the video here, listen to his first single "Shutterbug" below.
Review: Sleigh Bells - Treats
"That's one thing I hate. All the noise noise noise noise" - The Grinch.
Say hello to new electro-pop duo Sleigh Bells, the most polarizing new act since M.I.A. - who just so happens to have produced their debut album Treats. Their music is fuzzy, abrasive, chaotic and almost distorted to the point beyond comprehension.
This brash twosome hale from Brooklyn, where a buzz had steadily built for the past two years. The band's gig at this year's SXSW festival was one of the most anticipated slots of the weekend - and they hadn't even released a single album.
Treats is a half hour blast of some of the most unhinged music you'll hear all year. Each track is a blistering synth extravaganza where vocalist Alexis Krauss gets her spaz on to the thrashing guitars and beats of Derek Miller. They make an inspired pair who boldly ride on the coat tails of M.I.A. yet add more melody to make the whole affair sound completely original - to a point.
Acoustic tune "Rill Rill" is the closest Sleigh Bells comes to achieving radio friendly territory. "I wonder what you're boyfriend thinks about your braces?" Krauss ponders to a laid back beat and smooth six strings.
The rest of the album is challenging and off putting on purpose. "Crown on the Ground" is almost unlistenable because it's so compressed. Even the backing track is distorted because it's been mixed so loud. I know it's supposed to add to the aesthetic, but even at three minutes, the song is a stretch to listen to.
Treats is front loaded for a reason. The best songs are presented first so you actually want to listen to them. "Tell 'Em", "Riot Rhythm" and "Infinity Guitars" are jagged roses if you let them grow on you. Just imagine this album as musical beer goggles. If you have enough substances in your system, Treats is just that. If you're on the sober end of the equation you may struggle to instantly like, let alone love this band.
The middle ground for Sleigh Bells will be nonexistent. Critics will love them for their "individuality", Ke$ha fans will be boggled by their recklessly contained nature. The Hanging Tree sees Treats for what it is, a solid debut by a band who needs to keep experimenting - for better or worse. Because the more they push themselves, they more they challenge popular music. Take that Will.I.Am.
Grade: B
Wednesday, May 12, 2010
Eminem Debuts At #1
Eminem made history yesterday as his latest single "Not Afraid" debuted at number one on the Billboard Hot 100 marking only the 16th time a song has debuted atop the historic chart.
Mr. Mathers finds himself amongst elite (and not so elite) company. Michael Jackson, Whitney Houston, Mariah Carey, Elton John and Aerosmith all had singles which premiered at number one. Yet so has Taylor Hicks, Clay Aiken and Fantasia... really America?
Listen to "Not Afraid Below" and check out the list of every song that's ever debuted at number one.
- Michael Jackson - "You Are Not Alone"
- Mariah Carey - "Fantasy"
- Whitney Houston - "Exhale (Shoop Shoop)"
- Mariah Carey Feat. Boyz II Men - "One Sweet Day"
- Puff Daddy Feat. Faith Evans - "I'll Be Missing You"
- Mariah Carey - "Honey"
- Elton John - "Candle in the Wind / The Way You Look Tonight"
- Celine Dion - "My Heart Will Go On"
- Aerosmith - "I Don't Wanna Miss A Thing"
- Lauryn Hill - "Doo Wop (That Thing)"
- Clay Aiken - "This Is The Night"
- Fantasia - "I Believe"
- Carrie Underwood - "Inside Your Heaven"
- Taylor Hicks - "Do I Make You Proud"
- Britney Spears - "3"
- Eminem - "Not Afraid"
Beatles Jesus Tape Up For Auction
The only known recording of a 1966 Beatles press conference, which includes the famous self defense of John Lennon against his "more popular than Jesus" statement a few months earlier, is set to be auctioned next month and fetch upwards of $20,000.
The press conference took place on August 17, 1966 in Toronto and features banter about how long the band would play ("It would be, ya know, a bit embarrassing at age 35"), Vietnam and the growing generation gap.
The tapes were recorded by a photojournalist and avid Beatles fan who tried to sell the tapes to no avail. Instead they gathered dust for over four decades and carry a $20,-$25,000 price tag.
The press conference took place on August 17, 1966 in Toronto and features banter about how long the band would play ("It would be, ya know, a bit embarrassing at age 35"), Vietnam and the growing generation gap.
The tapes were recorded by a photojournalist and avid Beatles fan who tried to sell the tapes to no avail. Instead they gathered dust for over four decades and carry a $20,-$25,000 price tag.
Tuesday, May 11, 2010
Review: Band Of Horses - Infinite Arms
Infinite Arms is the group's first album since departing with record label Sub-Pop and finds the Seattle group trying to swim without their life jackets on. Every band has to grow up one day. Just see the album title as another phrase for "spreading your wings." Yet maturing is easier said than done. Just look at MGMT and their yawnfest Congratulations.
This album sheds the pomp and sparkle of their previous efforts and goes straight for the earnest approach. While singer Ben Bridwell has always been more than content to let his bleating vocals shoot for the stars, Infinite Arms is a rootsy, low key affair full of songs that aim for a slow pay off rather than the instant hook of yesteryear.
Hardcore fans will have to dig deep for another "Funeral". Sombre sing-a-long "Laredo" is the closest the band comes to past glories. A swish swash of reverb and lush harmonies make the song the album's stand out track.
"Evening Kitchen" is a stripped down ditty where Bridwell emotes over a lost love. "You wasted my time it's true it's true". He wants to go out with his friends but is afraid he'll see his ex-lady friend there as well. So there he is stuck in his kitchen sipping on a lonely bottle of wine.
And that's the theme for the whole record. Bridwell and company want to grow beyond their own limitations, yet are afraid by their own needless fears and reservations. There are two kinds of 'bad' aesthetically: you're run of the mill bad (Creed) , and your audacious and boldly bad (Chinese Democracy). And while Infinite Arms is no where near any form of bad, it's almost completely void of anything which made listening to Band of Horses the treat that it was.
The harmonies and sad stories are there, but the grandiose atmosphere and shimmering arrangements have been replaced with dusty tunes that add up to nothing more than an ant hill in the desert. Maybe a nice clean shave would do these indie kids good.
Grade: C+
Key Tracks: "Laredo", "Compliments", "Older"
This album sheds the pomp and sparkle of their previous efforts and goes straight for the earnest approach. While singer Ben Bridwell has always been more than content to let his bleating vocals shoot for the stars, Infinite Arms is a rootsy, low key affair full of songs that aim for a slow pay off rather than the instant hook of yesteryear.
Hardcore fans will have to dig deep for another "Funeral". Sombre sing-a-long "Laredo" is the closest the band comes to past glories. A swish swash of reverb and lush harmonies make the song the album's stand out track.
"Evening Kitchen" is a stripped down ditty where Bridwell emotes over a lost love. "You wasted my time it's true it's true". He wants to go out with his friends but is afraid he'll see his ex-lady friend there as well. So there he is stuck in his kitchen sipping on a lonely bottle of wine.
And that's the theme for the whole record. Bridwell and company want to grow beyond their own limitations, yet are afraid by their own needless fears and reservations. There are two kinds of 'bad' aesthetically: you're run of the mill bad (Creed) , and your audacious and boldly bad (Chinese Democracy). And while Infinite Arms is no where near any form of bad, it's almost completely void of anything which made listening to Band of Horses the treat that it was.
The harmonies and sad stories are there, but the grandiose atmosphere and shimmering arrangements have been replaced with dusty tunes that add up to nothing more than an ant hill in the desert. Maybe a nice clean shave would do these indie kids good.
Grade: C+
Key Tracks: "Laredo", "Compliments", "Older"
Rock Goes Late Night - Video
Green Day, Wilco, Crash Kings and a reunited (gulp) Limp Bizkit took to the small screen last night on various late night talk shows.
Green Day rocked Jimmy Fallon to the Rolling Stone's "Rip This Joint", Wilco wowed Craig Ferguson, Crash Kings took it to Kimmel while Bizkit (and a weirded out Wes Borland) played "Take A Look Around" - the theme from Mission Impossible II.
Watch the videos below.
Green Day rocked Jimmy Fallon to the Rolling Stone's "Rip This Joint", Wilco wowed Craig Ferguson, Crash Kings took it to Kimmel while Bizkit (and a weirded out Wes Borland) played "Take A Look Around" - the theme from Mission Impossible II.
Watch the videos below.
Green Day - Rip This Joint
Wilco - Deeper Down
Crash Kings - Mountain Man
Limp Bizkit - Take A Look Around
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